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" The word in language is half someone else's. It becomes "one's own" only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. "
Women Teaching for Change: Gender, Class and Power
by Kathleen Weiler - 1988 - 174 pages
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Prose and Cons: Essays on Prison Literature in the United States

D. Quentin Miller - 2005 - 289 pages
...attitude toward of capital punishment. Heteroglossia suggests that language "becomes 'one's own' only when the speaker populates it with his own intention,...adapting it to his own semantic and expressive intention" (Bakhtin 293). Each voice in Mailer's composition enters the text with a series of assumptions and...
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Internet Society: The Internet in Everyday Life

Maria Bakardjieva - 2005 - 236 pages
...of other utterances that are kindred to theirs in genre. Yet words and genres become our own 'only when the speaker populates it with his own intention,...adapting it to his own semantic and expressive intention' (1981, p. 294). By engaging in this appropriation and adaptation of the word or genre to her particular...
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Narrative Interaction

Uta M. Quasthoff, Tabea Becker - 2005 - 320 pages
...Bahktin believed that, "The word in a language is half someone else's. It becomes 'one's own' only when the speaker populates it with his own intention,...adapting it to his own semantic and expressive intention" (John-Steiner 2000, p. 199). The second component, known as plurilingual interaction, is also another...
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Renaissance Drama 33

Patricia Parker - 2005 - 254 pages
...Desdemona HARRY BERGER JR. The word in language is half someone else's. It becomes "one's own" only when the speaker populates it with his own intention, his own accent, when he appropriates the word. . . . Prior to this moment of appropriation, the word . . . exists in other people's mouths, in other...
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Charles Johnson's Novels: Writing the American Palimpsest

Rudolph P. Byrd - 2005 - 240 pages
...when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to the moment of appropriation, the word does not exist in a neutral and impersonal language . . . but rather it exists in other people's mouths, in other people's contexts, serving other people's...
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Litterær erfaring og dialogisme

Hans Lauge Hansen - 2005 - 336 pages
...diskursivt konstrueret selv: The word in language is half someone else's. It becomes 'one's own' only when the speaker populates it with his own intention, his own accent [...) adapting it to his own semantic and expressive intention. Prior to this moment of appropriation...
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Advanced Language Learning: The Contribution of Halliday and Vygotsky

Heidi Byrnes - 2006 - 296 pages
...293), the result being the inherent multivoicedness of utterances. [The word] becomes 'one's own' only when the speaker populates it with his own intention,...language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's concrete...
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The Novel: An Anthology of Criticism and Theory 1900-2000

Dorothy J. Hale - 2005 - 841 pages
...between oneself and the other. The word in language is half someone else's. It becomes "one's own" only when the speaker populates it with his own intention,...exist in a neutral and impersonal language (it is not, MM BAKHTIN 504 after all, out of a dictionary that the speaker gets his words!), but rather it exists...
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Angewandte Linguistik und Fremdsprachendidaktik

Theo Harden - 2006 - 244 pages
...Maße gehört wie uns selbst: The word in language is half someone eise's. It becomes ,one's own' only when the Speaker populates it with his own intention,...adapting it to his own semantic and expressive intention. [...] it exists in other people's mouths, in other people's contexts, serving other people's intentions:...
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Vocal Authority: Singing Style and Ideology

John Potter - 2006 - 244 pages
...Bakhtinian nature, where 'the word in language is half someone else's. It becomes "one's own" only when the speaker populates it with his own intention,...word, adapting it to his own semantic and expressive intention.'5 Armstrong's duelling with Teagarden and other white singers, especially Bing Crosby, did...
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