Paying the Piper: Causes and Consequences of Art PatronageJudith H. Balfe University of Illinois Press, 1993 - 336 pages |
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... Individuals 7 1. The Social Basis of Beethoven's Style 9 TIA DENORA 2. Dilettantism and Academies of Art : The ... Individual Patronage through Arts Institutions 119 JUDITH HUGGINS BALFE AND THOMAS A. CASSILLY Part 3 : Indirect ...
... Individuals 7 1. The Social Basis of Beethoven's Style 9 TIA DENORA 2. Dilettantism and Academies of Art : The ... Individual Patronage through Arts Institutions 119 JUDITH HUGGINS BALFE AND THOMAS A. CASSILLY Part 3 : Indirect ...
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... individuals or commer- cial organizations . But if the first perspective is flawed when it does not try to explain why any patron's nonaesthetic purposes may be useful or even necessary in the advancement of the arts , the second is ...
... individuals or commer- cial organizations . But if the first perspective is flawed when it does not try to explain why any patron's nonaesthetic purposes may be useful or even necessary in the advancement of the arts , the second is ...
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... individuals and groups act upon and reconstruct those meanings and practices . Thus while any patron's artistic taste and purpose will surely be ap- preciated by those in the audience who already share them , such people are usually not ...
... individuals and groups act upon and reconstruct those meanings and practices . Thus while any patron's artistic taste and purpose will surely be ap- preciated by those in the audience who already share them , such people are usually not ...
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... individuals or institutions , and whether it is direct or indirect . The essays are arranged here on these terms , in order of scale : from traditional , direct , private individual patronage , to the mixed forms found at the level of ...
... individuals or institutions , and whether it is direct or indirect . The essays are arranged here on these terms , in order of scale : from traditional , direct , private individual patronage , to the mixed forms found at the level of ...
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... money , why do people patronize the arts - and to what effect ? The concluding chapter provides a summary and final evaluation of the evidence . PART ONE + DIRECT PATRONAGE BY PRIVATE INDIVIDUALS Traditional art Introduction 5.
... money , why do people patronize the arts - and to what effect ? The concluding chapter provides a summary and final evaluation of the evidence . PART ONE + DIRECT PATRONAGE BY PRIVATE INDIVIDUALS Traditional art Introduction 5.
Contents
Direct Patronage by Private Individuals | 7 |
The Social Basis of Beethovens Style | 9 |
Dilettantism and Academies of Art The Netherlands Example | 30 |
Literary Agents and Literary Traditions The Role of the Philistine | 54 |
Direct Patronage by Private Institutions | 73 |
The Indian Arts Fund and the Patronage of Native American Arts | 76 |
Playing Workers Proletarian Drama in the Curriculum | 94 |
Friends of Individual Patronage through Arts Institutions | 119 |
Direct Patronage by State Institutions | 207 |
State Patronage in the German Democratic Republic Artistic and Political Change in a State Socialist Society | 209 |
Remaking Nations Public Culture and Postcolonial Discourse | 234 |
Indirect Patronage by State Institutions | 251 |
The Politicization of PeerRe view Panels at the NEA | 254 |
The Battle for Classical Music on the Air | 271 |
The Arts and Culture under the European Community | 287 |
Art Patronage Perennial Problems Current Complications | 306 |
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Common terms and phrases
ABC No Rio academy aesthetic agency American aristocratic art patronage art world artists artworks audience authors Balfe became become Beethoven's bourgeois budget century Chicago classical music commercial commission contemporary controversy Council critical Cultural Affairs cultural institutions cultural policy DCA's Department of Cultural dilettante East Village economic elite elitist endowment established European exhibition forms Friends galleries gentrification groups important increased Indian Arts Fund individual interest involved Joseph Conrad labor colleges labor drama listeners literary agents Lower East Side Mayor Mexico museums Native Americans new-age official organizations painting panels patrons percent Pinker play political Press production professional programs proletarian drama public art public culture public radio publishers Pueblo pottery role Santa Fe single European market social society stations structure style taste theater tion traditional union University Village Voice workers York City