Paying the Piper: Causes and Consequences of Art PatronageJudith H. Balfe University of Illinois Press, 1993 - 336 pages |
Contents
Introduction | 1 |
Direct Patronage by Private Individuals | 7 |
Direct Patronage by Private Institutions | 73 |
Copyright | |
11 other sections not shown
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ABC No Rio academy aesthetic agency American aristocratic art patronage art world artists artworks audience authors Balfe became become Beethoven's bourgeois budget century Chicago classical music commercial commission contemporary controversy Council critical Cultural Affairs cultural institutions cultural policy DCA's Department of Cultural dilettante East Village economic elite elitist endowment established European exhibition forms Friends galleries gentrification groups important increased Indian Arts Fund individual interest involved Joseph Conrad labor colleges labor drama listeners literary agents Lower East Side Mayor Mexico museums Native Americans new-age official organizations painting panels patrons percent Pinker play political Press production professional programs proletarian drama public art public culture public radio publishers Pueblo pottery role Santa Fe single European market social society stations structure style taste theater tion traditional union University Village Voice workers York City